Last year, Timothy Morton used videoconferencing to "appear" at an ASLE conference here at Edinburgh University (he discusses this decision here). Next week, the Ashden Trust will use similar methods to contribute to the Earth Matters on Stage Festival and Symposium in Oregon (as Robert Butler mentions in his excellent blog here). And poet and author Kathleen Jamie claims to have turned down a BBC invitation to visit the Arctic because she felt that it could not be justified as essential travel (see interview here). What questions might this raise in the minds of those artists and writers who have travelled in the region, for example with Cape Farewell? Ian McEwan's much-anticipated new novel (which will apparently feature a "background hum" of a climate change theme, as reported in The New Yorker here) was partly inspired by his Cape Farewell expedition. Richard Mabey states that in Findings (a collection of prose pieces) Jamie "has written far and away the best book in my field" (see Ashden Directory article here). What might Jamie have achieved if she had made her own journey to a polar region?
These issues must surely strike all of us who travel in order to undertake what we can loosely describe as environmental work. Can I justify my own flights to the Peruvian Amazon this summer, since the expedition I will be helping to lead (BSES Amazon 09) actively seeks to create scientists and environmental campaigners from among its young participants? Shouldn't an environmental awareness leader (my role) simply stay at home? Whatever our intentions to assist in the creation of a new mindset regarding our treatment of the environment, we must look rigorously at our own behaviour first. It seems many attempts to be green are guilt-edged.